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| SONG TITLE | WRITERS | TAKE | MATRIX NO. | TIME | DATE | YEAR | STUDIO | ALBUM | RECORDING METHOD |
| Smorgasbord | Tepper/Bennett | 1 | tpa3-5312 | 16.2. | 1966 | Radio Recorders, Hollywood | Spinout - FTD | 3-track stereo | |
| Smorgasbord | Tepper/Bennett | 5 | tpa3-5312 | 16.2. | 1966 | Radio Recorders, Hollywood | Spinout - FTD | 3-track stereo | |
| Smorgasbord | Tepper/Bennett | M-07 | tpa3-5312 | 1:57 | 16.2. | 1966 | Radio Recorders, Hollywood | Spinout - Double Features | 3-track stereo |
| Stop, Look And Listen | Byers | 1 | tpa3-5305 | 16.2. | 1966 | Radio Recorders, Hollywood | Spinout - FTD | 3-track stereo | |
| Stop, Look And Listen | Byers | 2 | tpa3-5305 | 16.2. | 1966 | Radio Recorders, Hollywood | Spinout - FTD | 3-track stereo | |
| Stop, Look And Listen | Byers | 3 | tpa3-5305 | 16.2. | 1966 | Radio Recorders, Hollywood | Spinout - FTD | 3-track stereo | |
| Stop, Look And Listen | Byers | 6 | tpa3-5305 | 16.2. | 1966 | Radio Recorders, Hollywood | Spinout - FTD | 3-track stereo | |
| Stop, Look And Listen | Byers | M-SP-6-7 | tpa3-5305 | 1:29 | 16.2. | 1966 | Radio Recorders, Hollywood | Spinout - Double Features | 3-track stereo |
| Am I Ready | Tepper/Bennett | 1 | tpa3-5309 | 16.2. | 1966 | Radio Recorders, Hollywood | Spinout - FTD | 3-track stereo | |
| Am I Ready | Tepper/Bennett | 3 | tpa3-5309 | 16.2. | 1966 | Radio Recorders, Hollywood | Spinout - FTD | 3-track stereo | |
| Am I Ready | Tepper/Bennett | 4 | tpa3-5309 | 16.2. | 1966 | Radio Recorders, Hollywood | Spinout - FTD | 3-track stereo | |
| Am I Ready | Tepper/Bennett | M-07 | tpa3-5309 | 2:23 | 16.2. | 1966 | Radio Recorders, Hollywood | Spinout - Double Features | 3-track stereo |
| Beach Shack | Giant/Baum/Kaye | 1 | tpa3-5310 | 16.2. | 1966 | Radio Recorders, Hollywood | Spinout - FTD | 3-track stereo | |
| Beach Shack | Giant/Baum/Kaye | 2 | tpa3-5310 | 16.2. | 1966 | Radio Recorders, Hollywood | Spinout - FTD | 3-track stereo | |
| Beach Shack | Giant/Baum/Kaye | 3 | tpa3-5310 | 16.2. | 1966 | Radio Recorders, Hollywood | Spinout - FTD | 3-track stereo | |
| Beach Shack | Giant/Baum/Kaye | M-04 | tpa3-5310 | 1:46 | 16.2. | 1966 | Radio Recorders, Hollywood | Spinout - Double Features | 3-track stereo |
| Never Say Yes | Pomus/Shuman | 1 | tpa3-5308 | 2:36 | 17.2. | 1966 | Radio Recorders, Hollywood | Today, Tomorrow & Forever | 3-track stereo |
| Never Say Yes | Pomus/Shuman | 2 | tpa3-5308 | 2:36 | 17.2. | 1966 | Radio Recorders, Hollywood | Today, Tomorrow & Forever | 3-track stereo |
| Never Say Yes | Pomus/Shuman | 4 | tpa3-5308 | 17.2. | 1966 | Radio Recorders, Hollywood | Spinout - FTD | 3-track stereo | |
| Never Say Yes | Pomus/Shuman | 5 | tpa3-5308 | 17.2. | 1966 | Radio Recorders, Hollywood | Spinout - FTD | 3-track stereo | |
| Never Say Yes | Pomus/Shuman | M-06 | tpa3-5308 | 1:51 | 17.2. | 1966 | Radio Recorders, Hollywood | Spinout - Double Features | 3-track stereo |
| Spinout | Wayne/Weisman/Fuller | 1 | tpa3-5211 | 17.2. | 1966 | Radio Recorders, Hollywood | Spinout - FTD | 3-track stereo | |
| Spinout | Wayne/Weisman/Fuller | 2 | tpa3-5211 | 2:45 | 17.2. | 1966 | Radio Recorders, Hollywood | Out In Hollywood | 3-track stereo |
| Spinout | Wayne/Weisman/Fuller | M-05 | tpa3-5211 | 2:32 | 17.2. | 1966 | Radio Recorders, Hollywood | Spinout - Double Features | 3-track stereo |
| All That I am | Tepper/Bennett | 1 | tpa3-5307 | 17.2. | 1966 | Radio Recorders, Hollywood | Spinout - FTD | 3-track stereo | |
| All That I am | Tepper/Bennett | 2 | tpa3-5307 | 2:32 | 17.2. | 1966 | Radio Recorders, Hollywood | Out In Hollywood | 3-track stereo |
| All That I am | Tepper/Bennett | 4 | tpa3-5307 | 17.2. | 1966 | Radio Recorders, Hollywood | Spinout - FTD | 3-track stereo | |
| All That I am | Tepper/Bennett | M-05 | tpa3-5307 | 2:15 | 17.2. | 1966 | Radio Recorders, Hollywood | Spinout - Double Features | 3-track stereo |
| Adam And Evil | Wise/Starr | 1 | tpa3-5306 | 17.2. | 1966 | Radio Recorders, Hollywood | Spinout - FTD | 3-track stereo | |
| Adam And Evil | Wise/Starr | 14 | tpa3-5306 | 17.2. | 1966 | Radio Recorders, Hollywood | Spinout - FTD | 3-track stereo | |
| Adam And Evil | Wise/Starr | 16 | tpa3-5306 | 2:45 | 17.2. | 1966 | Radio Recorders, Hollywood | Out In Hollywood | 3-track stereo |
| Adam And Evil | Wise/Starr | M-20 | tpa3-5306 | 1:52 | 17.2. | 1966 | Radio Recorders, Hollywood | Spinout - Double Features | 3-track stereo |
| I'll Be Back | Wayne/Weisman | M-01 | tpa3-5313 | 2:02 | 17.2. | 1966 | Radio Recorders, Hollywood | Spinout - Double Features | 3-track stereo |
| After Loving You | Miller/Lantz | cpa5-5154 | 2:25 | 1966 | Rocca Place, Hollywood | Platinum | 1-track mono | ||
| If I Loved You | Hammerstein/Rodgers | cpa5-5155 | 1:49 | 1966 | Rocca Place, Hollywood | The Home Recordings | 1-track mono | ||
| I've Been Blue | West | cpa5-5161 | 0:54 | 1966 | Rocca Place, Hollywood | The Home Recordings | 1-track mono | ||
| Show Me Thy Ways O Lord | Shade | cpa5-5159 | 2:35 | 1966 | Rocca Place, Hollywood | The Home Recordings | 1-track mono | ||
| Tumblin' Tumbleweeds | Nolan | cpa5-5157 | 4:55 | 1966 | Rocca Place, Hollywood | The Home Recordings | 1-track mono | ||
| Hide Thou Me | Lowry/Crosby | cpa5-5166 | 1:04 | 1966 | Rocca Place, Hollywood | In A Private Moment | 1-track mono | ||
| Hide Thou Me | Lowry/Crosby | cpa5-5166 | 5:01 | 1966 | Rocca Place, Hollywood | Today, Tomorrow & Forever | 1-track mono | ||
| It's No Fun Being Lonely | West | cpa5-5162 | 1:37 | 1966 | Rocca Place, Hollywood | The Home Recordings | 1-track mono | ||
| San Antonio Rose | Wills | cpa5-5158 | 1:29 | 1966 | Rocca Place, Hollywood | The Home Recordings | 1-track mono | ||
| Tennessee Waltz | Stewart/King | cpa5-5152 | 3:02 | 1966 | Rocca Place, Hollywood | The Home Recordings | 1-track mono | ||
| Tennessee Waltz | Stewart/King | cpa5-5152 | 1:19 | 1966 | Rocca Place, Hollywood | Platinum | 1-track mono | ||
| Mary Lou Brown | West | cpa5-5163 | 2:28 | 1966 | Rocca Place, Hollywood | The Home Recordings | 1-track mono | ||
| Moonlight Sonata | Beethoven | cpa5-5168 | 2:30 | 1966 | Rocca Place, Hollywood | In A Private Moment | 1-track mono | ||
| Oh How I Love Jesus | Traditional | cpa5-5151 | 1:58 | 1966 | Rocca Place, Hollywood | In A Private Moment | 1-track mono | ||
| Oh How I Love Jesus | Traditional | cpa5-5151 | 1:36 | 1966 | Rocca Place, Hollywood | Platinum | 1-track mono | ||
| I, John | Gaither | fra1-8112 | 0:25 | 1966 | Rocca Place, Hollywood | In A Private Moment | 1-track mono | ||
| Suppose | Dee/Goehring | NA | cpa5-5164 | 2:59 | 1966 | Rocca Place, Hollywood | A Golden Celebration | 1-track mono | |
| Blue Hawaii | Robin/Rainger | fra1-8113 | 0:31 | 1966 | Rocca Place, Hollywood | In A Private Moment | 1-track mono | ||
| Fools Rush In | Bloom/Mercer | cpa5-5169 | 1:21 | 1966 | Rocca Place, Hollywood | In A Private Moment | 1-track mono | ||
| It's A Sin To Tell A Lie | Mayhew | cpa5-5170 | 2:33 | 1966 | Rocca Place, Hollywood | In A Private Moment | 1-track mono | ||
| What Now My Love | Sigman/Becaud | cpa5-5156 | 2:16 | 1966 | Rocca Place, Hollywood | In A Private Moment | 1-track mono | ||
| What Now My Love | Sigman/Becaud | cpa5-5156 | 2:47 | 1966 | Rocca Place, Hollywood | The Home Recordings | 1-track mono | ||
| 500 Miles | West | cpa5-5166 | 2:59 | 1966 | Rocca Place, Hollywood | In A Private Moment | 1-track mono | ||
| Blowin' In The Wind | Dylan | cpa5-5153 | 2:47 | 1966 | Rocca Place, Hollywood | In A Private Moment | 1-track mono | ||
| Blowin' In The Wind | Dylan | cpa5-5153 | 2:04 | 1966 | Rocca Place, Hollywood | Platinum | 1-track mono | ||
| Indescribably Blue | Glenn | cpa5-5165 | 2:49 | 1966 | Rocca Place, Hollywood | The Home Recordings | 1-track mono | ||
| Write To Me From Naples | Alstone/Kennedy | cpa5-8217 | 2:39 | 1966 | Rocca Place, Hollywood | The Home Recordings | 1-track mono | ||
| Write To Me From Naples | Alstone/Kennedy | cpa5-8217 | 2:10 | 1966 | Rocca Place, Hollywood | A Golden Celebration | 1-track mono | ||
| My Heart Cries For You | Faith/Sigman | cpa5-8212 | 1:50 | 1966 | Rocca Place, Hollywood | The Home Recordings | 1-track mono | ||
| My Heart Cries For You | Faith/Sigman | cpa5-8212 | 2:43 | 1966 | Rocca Place, Hollywood | A Golden Celebration | 1-track mono | ||
| Dark Moon | Miller | cpa5-8213 | 2:16 | 1966 | Rocca Place, Hollywood | The Home Recordings | 1-track mono | ||
| Dark Moon | Miller | cpa5-8213 | 6:15 | 1966 | Rocca Place, Hollywood | A Golden Celebration | 1-track mono | ||
| Run On | Presley | 2 | tpa4-0908 | 2:41 | 25.5. | 1966 | RCA's Studio B, Nashville | Easter Special | 3-track stereo |
| Run On | Presley | 6 | tpa4-0908 | 2:27 | 25.5. | 1966 | RCA's Studio B, Nashville | So High | 3-track stereo |
| Run On | Presley | M-07 | tpa4-0908 | 2:21 | 25.5. | 1966 | RCA's Studio B, Nashville | Amazing Grace | 3-track stereo |
| How Great Thou Art | Hine | 2 | tpa4-0909 | 2:54 | 25.5. | 1966 | RCA's Studio B, Nashville | Platinum | 3-track stereo |
| How Great Thou Art | Hine | M-04 | tpa4-0909 | 3:00 | 25.5. | 1966 | RCA's Studio B, Nashville | Amazing Grace | 3-track stereo |
| Stand By Me | Presley | 6 | tpa4-0910 | 2:41 | 25.5. | 1966 | RCA's Studio B, Nashville | Easter Special | 3-track stereo |
| Stand By Me | Presley | 7 | tpa4-0910 | 2:41 | 25.5. | 1966 | RCA's Studio B, Nashville | Easter Special | 3-track stereo |
| Stand By Me | Presley | 10 | tpa4-0910 | 2:40 | 25.5. | 1966 | RCA's Studio B, Nashville | Close Up | 3-track stereo |
| Stand By Me | Presley | M-11 | tpa4-0910 | 2:26 | 25.5. | 1966 | RCA's Studio B, Nashville | Amazing Grace | 3-track stereo |
| Where No One Stands Alone | Lister | M-SP-4-7 | tpa4-0911 | 2:42 | 25.5. | 1966 | RCA's Studio B, Nashville | Amazing Grace | 3-track stereo |
| Down In The Alley | Stone/The Clovers | 1 | tpa4-0912 | 3:11 | 25.5. | 1966 | RCA's Studio B, Nashville | The Essential 60's Masters | 3-track stereo |
| Down In The Alley | Stone/The Clovers | 6 | tpa4-0912 | 2:48 | 25.5. | 1966 | RCA's Studio B, Nashville | So High | 3-track stereo |
| Down In The Alley | Stone/The Clovers | M-09 | tpa4-0912 | 2:48 | 25.5. | 1966 | RCA's Studio B, Nashville | The Essential 60's Masters | 3-track stereo |
| Tomorrow Is A Long Time | Dylan | 2 | tpa4-0913 | 5:50 | 25.5. | 1966 | RCA's Studio B, Nashville | So High | 3-track stereo |
| Tomorrow Is A Long Time | Dylan | M-03 | tpa4-0913 | 5:20 | 25.5. | 1966 | RCA's Studio B, Nashville | The Essential 60's Masters | 3-track stereo |
| Love Letters | Heyman/Young | 2 | tpa4-0914 | 2:51 | 26.5. | 1966 | RCA's Studio B, Nashville | Today, Tomorrow & Forever | 3-track stereo |
| Love Letters | Heyman/Young | 3 | tpa4-0914 | 3:39 | 26.5. | 1966 | RCA's Studio B, Nashville | Collector's Gold | 3-track stereo |
| Love Letters | Heyman/Young | 4 | tpa4-0914 | 3:39 | 26.5. | 1966 | RCA's Studio B, Nashville | Collector's Gold | 3-track stereo |
| Love Letters | Heyman/Young | 7 | tpa4-0914 | 3:39 | 26.5. | 1966 | RCA's Studio B, Nashville | Collector's Gold | 3-track stereo |
| Love Letters | Heyman/Young | 8 | tpa4-0914 | 3:12 | 26.5. | 1966 | RCA's Studio B, Nashville | So High | 3-track stereo |
| Love Letters | Heyman/Young | M-09 | tpa4-0914 | 2:50 | 26.5. | 1966 | RCA's Studio B, Nashville | The Essential 60's Masters | 3-track stereo |
| So High | Presley | 1 | tpa4-0915 | 2:12 | 26.5. | 1966 | RCA's Studio B, Nashville | So High | 3-track stereo |
| So High | Presley | 2 | tpa4-0915 | 2:13 | 26.5. | 1966 | RCA's Studio B, Nashville | Easter Special | 3-track stereo |
| So High | Presley | 3 | tpa4-0915 | 2:13 | 26.5. | 1966 | RCA's Studio B, Nashville | Easter Special | 3-track stereo |
| So High | Presley | M-04 | tpa4-0915 | 1:56 | 26.5. | 1966 | RCA's Studio B, Nashville | Amazing Grace | 3-track stereo |
| Farther Along | Presley | M-03 | tpa4-0916 | 4:04 | 26.5. | 1966 | RCA's Studio B, Nashville | Amazing Grace | 3-track stereo |
| By And By | Presley | 4 | tpa4-0917 | 2:34 | 26.5. | 1966 | RCA's Studio B, Nashville | Long Lonely Highway | 3-track stereo |
| By And By | Presley | 9 | tpa4-0917 | 2:01 | 26.5. | 1966 | RCA's Studio B, Nashville | So High | 3-track stereo |
| By And By | Presley | M-10 | tpa4-0917 | 1:49 | 26.5. | 1966 | RCA's Studio B, Nashville | Amazing Grace | 3-track stereo |
| In The Garden | Miles | M-03 | tpa4-0918 | 3:11 | 26.5. | 1966 | RCA's Studio B, Nashville | Amazing Grace | 3-track stereo |
| Beyond The Reef | Pitman | 2 | tpa4-0918 | 3:09 | 26.5. | 1966 | RCA's Studio B, Nashville | Elvis Aron Presley | 3-track stereo |
| Beyond The Reef | Pitman | M-02 | tpa4-0919 | 3:03 | 26.5. | 1966 | RCA's Studio B, Nashville | The Essential 60's Masters | 3-track stereo |
| Somebody Bigger Than You And I | Lange/Heath/Burke | 11 | tpa4-0920 | 2:36 | 27.5. | 1966 | RCA's Studio B, Nashville | So High | 3-track stereo |
| Somebody Bigger Than You And I | Lange/Heath/Burke | 12 | tpa4-0920 | 2:39 | 27.5. | 1966 | RCA's Studio B, Nashville | Easter Special | 3-track stereo |
| Somebody Bigger Than You And I | Lange/Heath/Burke | 15 | tpa4-0920 | 2:46 | 27.5. | 1966 | RCA's Studio B, Nashville | Close Up | 3-track stereo |
| Somebody Bigger Than You And I | Lange/Heath/Burke | M-16 | tpa4-0920 | 2:25 | 27.5. | 1966 | RCA's Studio B, Nashville | Amazing Grace | 3-track stereo |
| Without Him | LeFevre | 1 | tpa4-0921 | 2:55 | 27.5. | 1966 | RCA's Studio B, Nashville | So High | 3-track stereo |
| Without Him | LeFevre | 8 | tpa4-0921 | 3:07 | 27.5. | 1966 | RCA's Studio B, Nashville | Close Up | 3-track stereo |
| Without Him | LeFevre | M-12 | tpa4-0921 | 2:27 | 27.5. | 1966 | RCA's Studio B, Nashville | Amazing Grace | 3-track stereo |
| If The Lord Wasn't Walking By My Side | Slaughter | 4 | tpa4-0922 | 1:52 | 27.5. | 1966 | RCA's Studio B, Nashville | Today, Tomorrow & Forever | 3-track stereo |
| If The Lord Wasn't Walking By My Side | Slaughter | M-05 | tpa4-0922 | 1:36 | 27.5. | 1966 | RCA's Studio B, Nashville | Amazing Grace | 3-track stereo |
| If The Lord Wasn't Walking By My Side | Slaughter | 6 | tpa4-0922 | 1:39 | 27.5. | 1966 | RCA's Studio B, Nashville | So High | 3-track stereo |
| Where Could I Go But To The Lord | Coats | M-02 | tpa4-0923 | 3:36 | 27.5. | 1966 | RCA's Studio B, Nashville | Amazing Grace | 3-track stereo |
| Come What May | Tableporter | 2 | tpa4-0924 | 1:53 | 28.5. | 1966 | RCA's Studio B, Nashville | So High | 3-track stereo |
| Come What May | Tableporter | 3 | tpa4-0924 | 2:19 | 28.5. | 1966 | RCA's Studio B, Nashville | Today, Tomorrow & Forever | 3-track stereo |
| Come What May | Tableporter | 4 | tpa4-0924 | 2:19 | 28.5. | 1966 | RCA's Studio B, Nashville | Today, Tomorrow & Forever | 3-track stereo |
| Come What May | Tableporter | 6 | tpa4-0924 | 1:51 | 28.5. | 1966 | RCA's Studio B, Nashville | Collector's Gold | 3-track stereo |
| Come What May | Tableporter | 7 | tpa4-0924 | 1:58 | 28.5. | 1966 | RCA's Studio B, Nashville | The Essential 60's Masters | 3-track stereo |
| Come What May | Tableporter | M-08 | tap4-0924 | 2:00 | 28.5. | 1966 | RCA's Studio B, Nashville | Long Lonely Highway | 3-track stereo |
| Fools Fall In Love | Leiber/Stoller | 4 | tpa4-0925 | 2:09 | 28.5. | 1966 | RCA's Studio B, Nashville | Long Lonely Highway | 3-track stereo |
| Fools Fall In Love | Leiber/Stoller | M-05 | tpa4-0925 | 2:04 | 28.5. | 1966 | RCA's Studio B, Nashville | The Essential 60's Masters | 3-track stereo |
| Indescribably Blue | Glenn | 1 | tpa4-0982 | 2:47 | 10.6. | 1966 | RCA's Studio B, Nashville | Today, Tomorrow & Forever | 3-track stereo |
| Indescribably Blue | Glenn | M-NA | tpa4-0982 | 2:47 | 10.6. | 1966 | RCA's Studio B, Nashville | The Essential 60's Masters | 3-track stereo |
| I'll Remember You | Lee | 2 | tpa4-0983 | 4:10 | 10.6. | 1966 | RCA's Studio B, Nashville | So High | 3-track stereo |
| I'll Remember You | Lee | NA-UNEDIT | tpa4-0983 | 4:05 | 10.6. | 1966 | RCA's Studio B, Nashville | The Essential 60's Masters | 3-track stereo |
| I'll Remember You | Lee | M-NA | tpa4-0983 | 2:42 | 10.6. | 1966 | RCA's Studio B, Nashville | Good Rockin' Tonight | 3-track stereo |
| If Everyday Was Like Christmas | West | NA | tpa4-0984 | 2:42 | 10.6. | 1966 | RCA's Studio B, Nashville | Memories Of Christmas | 3-track stereo |
| If Everyday Was Like Christmas | West | M-NA | tpa4-0984 | 2:42 | 10.6. | 1966 | RCA's Studio B, Nashville | The Essential 60's Masters | 3-track stereo |
| City By Night | Giant/Baum/Kaye | M-03 | upa3-3938 | 3:04 | 28.6. | 1966 | Radio Recorders, Hollywood | Double Trouble - Double Features | 4-track stereo |
| City By Night | Giant/Baum/Kaye | 10 | upa3-3938 | 2:56 | 28.6. | 1966 | Radio Recorders, Hollywood | Double Trouble - FTD | 4-track stereo |
| Could I Fall In Love | Starr | 1 | upa3-3936 | 1:48 | 28.6. | 1966 | Radio Recorders, Hollywood | Double Trouble - FTD | 4-track stereo |
| Could I Fall In Love | Starr | 6-UNDUBBED | upa3-3936 | 2:27 | 28.6. | 1966 | Radio Recorders, Hollywood | Double Trouble - FTD | 4-track stereo |
| Could I Fall In Love | Starr | M-06 | upa3-3936 | 1:42 | 28.6. | 1966 | Radio Recorders, Hollywood | Double Trouble - Double Features | 4-track stereo |
| There's So Much World To See | Tepper/Weisman | M-01 | upa3-3941 | 1:53 | 28.6. | 1966 | Radio Recorders, Hollywood | Double Trouble - Double Features | 4-track stereo |
| There's So Much World To See | Tepper/Weisman | 10 | upa3-3941 | 2:21 | 28.6. | 1966 | Radio Recorders, Hollywood | Silver Screen Stereo | 4-track stereo |
| There's So Much World To See | Tepper/Weisman | 10 | upa3-3941 | 2:27 | 28.6. | 1966 | Radio Recorders, Hollywood | Double Trouble - FTD | 4-track stereo |
| Double Trouble | Pomus/Shuman | 1 | upa3-3934 | 1:39 | 29.6. | 1966 | Radio Recorders, Hollywood | Double Trouble - FTD | 4-track stereo |
| Double Trouble | Pomus/Shuman | 2 | upa3-3934 | 1:50 | 29.6. | 1966 | Radio Recorders, Hollywood | Double Trouble - FTD | 4-track stereo |
| Double Trouble | Pomus/Shuman | 3 | upa3-3934 | 1:50 | 29.6. | 1966 | Radio Recorders, Hollywood | Double Trouble - FTD | 4-track stereo |
| Double Trouble | Pomus/Shuman | M-04 | upa3-3934 | 1:38 | 29.6. | 1966 | Radio Recorders, Hollywood | Double Trouble - Double Features | 4-track stereo |
| Baby, If You'll Give Me All Of Your Love | Byers | 2 | upa3-3935 | 2:25 | 29.6. | 1966 | Radio Recorders, Hollywood | Double Trouble - FTD | 4-track stereo |
| Baby, If You'll Give Me All Of Your Love | Byers | 3 | upa3-3935 | 2:49 | 29.6. | 1966 | Radio Recorders, Hollywood | Double Trouble - FTD | 4-track stereo |
| Baby, If You'll Give Me All Of Your Love | Byers | 4 | upa3-3935 | 2:49 | 29.6. | 1966 | Radio Recorders, Hollywood | Double Trouble - FTD | 4-track stereo |
| Baby, If You'll Give Me All Of Your Love | Byers | M-05 | upa3-3935 | 1:47 | 29.6. | 1966 | Radio Recorders, Hollywood | Double Trouble - Double Features | 4-track stereo |
| I Love Only One Girl | Tepper/Bennett | 1 | upa3-3940 | 2:25 | 29.6. | 1966 | Radio Recorders, Hollywood | Double Trouble - FTD | 4-track stereo |
| I Love Only One Girl | Tepper/Bennett | M-02 | upa3-3940 | 1:52 | 29.6. | 1966 | Radio Recorders, Hollywood | Double Trouble - Double Features | 4-track stereo |
| It Won't Be Long | Wayne/Weisman | 1 | upa3-3942 | 2:21 | 29.6. | 1966 | Radio Recorders, Hollywood | Double Trouble - FTD | 4-track stereo |
| It Won't Be Long | Wayne/Weisman | 2 | upa3-3942 | 2:21 | 29.6. | 1966 | Radio Recorders, Hollywood | Double Trouble - FTD | 4-track stereo |
| It Won't Be Long | Wayne/Weisman | 5 | upa3-3942 | 1:47 | 29.6. | 1966 | Radio Recorders, Hollywood | Double Trouble - FTD | 4-track stereo |
| It Won't Be Long | Wayne/Weisman | M-NA | upa3-3942 | 1:44 | 29.6. | 1966 | Radio Recorders, Hollywood | Double Trouble - Double Features | 4-track stereo |
| Old McDonald | Starr | M-07 | upa3-3939 | 2:04 | 29.6. | 1966 | Radio Recorders, Hollywood | Double Trouble - Double Features | 4-track stereo |
| Long Legged Girl (With Short Dress On) (2nd version) | McFarland/Scott | 1 | upa3-3937 | 2:40 | 29.6. | 1966 | Radio Recorders, Hollywood | Double Trouble - FTD | 4-track stereo |
| Long Legged Girl (With Short Dress On) (2nd version) | McFarland/Scott | 2 | upa3-3937 | 2:40 | 29.6. | 1966 | Radio Recorders, Hollywood | Double Trouble - FTD | 4-track stereo |
| Long Legged Girl (With Short Dress On) | McFarland/Scott | M-ALT | upa3-3937 | 1:37 | 29.6. | 1966 | Radio Recorders, Hollywood | Today, Tomorrow & Forever | 4-track stereo |
| Long Legged Girl (With Short Dress On) | McFarland/Scott | M-05 | upa3-3937 | 1:27 | 29.6. | 1966 | Radio Recorders, Hollywood | Double Trouble - Double Features | 4-track stereo |
| Long Legged Girl (With Short Dress On) (1st version) | McFarland/Scott | 6 | upa3-3937 | 1:44 | 29.6. | 1966 | Radio Recorders, Hollywood | Double Trouble - FTD | 4-track stereo |
| Easy Come Easy Go | Weisman/Wayne | M-09 | upa3-3805 | 2:18 | 28.9. | 1966 | Paramount Studio Recording Stage, Hollywood | Easy Come Easy Go - Double Features | 4-track stereo |
| Easy Come Easy Go | Weisman/Wayne | 10 | upa3-3805 | 2:30 | 28.9. | 1966 | Paramount Studio Recording Stage, Hollywood | Easy Come Easy Go - FTD | 4-track stereo |
| I'll Take Love | Fuller/Barkan | 1 | upa3-3810 | 3:03 | 28.9. | 1966 | Paramount Studio Recording Stage, Hollywood | Easy Come Easy Go - FTD | 4-track stereo |
| I'll Take Love | Fuller/Barkan | 2a | upa3-3810 | 3:03 | 28.9. | 1966 | Paramount Studio Recording Stage, Hollywood | Easy Come Easy Go - FTD | 4-track stereo |
| I'll Take Love | Fuller/Barkan | 2b | upa3-3810 | 2:30 | 28.9. | 1966 | Paramount Studio Recording Stage, Hollywood | Easy Come Easy Go - FTD | 4-track stereo |
| I'll Take Love | Fuller/Barkan | M-SP | upa3-3810 | 2:13 | 28.9. | 1966 | Paramount Studio Recording Stage, Hollywood | Easy Come Easy Go - FTD | 4-track stereo |
| Sing You Children | Nelson/Burch | 1 | upa3-3809 | 2:52 | 28.9. | 1966 | Paramount Studio Recording Stage, Hollywood | Easy Come Easy Go - FTD | 4-track stereo |
| Sing You Children | Nelson/Burch | 18 | upa3-3809 | 3:51 | 28.9. | 1966 | Paramount Studio Recording Stage, Hollywood | Easy Come Easy Go - FTD | 4-track stereo |
| Sing You Children | Nelson/Burch | 19 | upa3-3809 | 3:51 | 28.9. | 1966 | Paramount Studio Recording Stage, Hollywood | Easy Come Easy Go - FTD | 4-track stereo |
| Sing You Children | Nelson/Burch | M-22 | upa3-3909 | 2:08 | 28.9. | 1966 | Paramount Studio Recording Stage, Hollywood | Easy Come Easy Go - FTD | 4-track stereo |
| Sing You Children | Nelson/Burch | M-22 | upa3-3909 | 2:12 | 28.9. | 1966 | Paramount Studio Recording Stage, Hollywood | Easy Come Easy Go - Double Features | 4-track stereo |
| She's Machine | Byers | 5 | wpa1-8027 | 4:14 | 29.9. | 1966 | Paramount Studio Recording Stage, Hollywood | Easy Come Easy Go - FTD | 4-track stereo |
| She's Machine | Byers | 6 | wpa1-8027 | 4:14 | 29.9. | 1966 | Paramount Studio Recording Stage, Hollywood | Easy Come Easy Go - FTD | 4-track stereo |
| She's Machine | Byers | 7 | wpa1-8027 | 4:14 | 29.9. | 1966 | Paramount Studio Recording Stage, Hollywood | Easy Come Easy Go - FTD | 4-track stereo |
| She's Machine | Byers | 10 | wpa1-8027 | 1:52 | 29.9. | 1966 | Paramount Studio Recording Stage, Hollywood | Easy Come Easy Go - FTD | 4-track stereo |
| She's Machine (Movie version) | Byers |