| SONG
TITLE |
WRITERS |
TAKE |
MATRIX NO. |
TIME |
DATE |
YEAR |
STUDIO |
ALBUM |
RECORDING
METHOD |
| The Girl
I Never Loved |
Starr |
4 |
upa3-8447 |
3:33 |
21.2. |
1967 |
RCA's Studio B, Nashville |
Clambake FTD |
4-track stereo |
| The Girl
I Never Loved |
Starr |
5 |
upa3-8447 |
3:33 |
21.2. |
1967 |
RCA's Studio B, Nashville |
Clambake FTD |
4-track stereo |
| The Girl
I Never Loved |
Starr |
M-09 |
upa3-8447 |
1:51 |
21.2. |
1967 |
RCA's Studio B, Nashville |
Clambake - Double Features |
4-track stereo |
| How Can
You Lose What You Never Had |
Weisman/Wayne |
1 |
upa3-8448 |
3:40 |
21.2. |
1967 |
RCA's Studio B, Nashville |
Collector's Gold |
4-track stereo |
| How Can
You Lose What You Never Had |
Weisman/Wayne |
2 |
upa3-8448 |
4:16 |
21.2. |
1967 |
RCA's Studio B, Nashville |
Clambake FTD |
4-track stereo |
| How Can
You Lose What You Never Had |
Weisman/Wayne |
3 |
upa3-8448 |
3:40 |
21.2. |
1967 |
RCA's Studio B, Nashville |
Collector's Gold |
4-track stereo |
| How Can
You Lose What You Never Had |
Weisman/Wayne |
M-06 |
upa3-8448 |
2:25 |
21.2. |
1967 |
RCA's Studio B, Nashville |
Clambake - Double Features |
4-track stereo |
| You Don't
Know Me |
Walker/Arnold |
3 |
upa3-2501 |
2:12 |
21.2. |
1967 |
RCA's Studio B, Nashville |
Today, Tomorrow & Forever |
4-track stereo |
| You Don't
Know Me |
Walker/Arnold |
7 |
upa3-2501 |
3:15 |
21.2. |
1967 |
RCA's Studio B, Nashville |
Clambake FTD |
4-track stereo |
| You Don't
Know Me |
Walker/Arnold |
10 |
upa3-2501 |
3:15 |
21.2. |
1967 |
RCA's Studio B, Nashville |
Clambake FTD |
4-track stereo |
| You Don't
Know Me |
Walker/Arnold |
M-20 |
upa3-2501 |
2:12 |
21.2. |
1967 |
RCA's Studio B, Nashville |
Clambake - Double Features |
4-track stereo |
| A House
That Has Everything |
Tepper/Bennett |
4 |
upa3-8445 |
4:00 |
21.2. |
1967 |
RCA's Studio B, Nashville |
Clambake FTD |
4-track stereo |
| A House
That Has Everything |
Tepper/Bennett |
5 |
upa3-8445 |
4:00 |
21.2. |
1967 |
RCA's Studio B, Nashville |
Clambake FTD |
4-track stereo |
| A House
That Has Everything |
Tepper/Bennett |
6 |
upa3-8445 |
4:00 |
21.2. |
1967 |
RCA's Studio B, Nashville |
Clambake FTD |
4-track stereo |
| A House
That Has Everything |
Tepper/Bennett |
M-08 |
upa3-8445 |
2:12 |
21.2. |
1967 |
RCA's Studio B, Nashville |
Clambake - Double Features |
4-track stereo |
| Who Need
Money |
Starr |
M-NA |
upa3-8444 |
3:14 |
22.2. |
1967 |
RCA's Studio B, Nashville |
Clambake - Double Features |
4-track stereo |
| Confidence |
Tepper/Bennett |
M-NA |
upa4-2753 |
2:32 |
22.2. |
1967 |
RCA's Studio B, Nashville |
Clambake - Double Features |
4-track stereo |
| Hey, Hey,
Hey |
Byers |
3 |
upa3-8446 |
5:05 |
22.2. |
1967 |
RCA's Studio B, Nashville |
Clambake FTD |
4-track stereo |
| Hey, Hey,
Hey |
Byers |
5 |
upa3-8446 |
5:05 |
22.2. |
1967 |
RCA's Studio B, Nashville |
Clambake FTD |
4-track stereo |
| Hey, Hey,
Hey |
Byers |
6 |
upa3-8446 |
5:05 |
22.2. |
1967 |
RCA's Studio B, Nashville |
Clambake FTD |
4-track stereo |
| Hey, Hey,
Hey |
Byers |
7 |
upa3-8446 |
4:13 |
22.2. |
1967 |
RCA's Studio B, Nashville |
Clambake FTD |
4-track stereo |
| Hey, Hey,
Hey |
Byers |
8 |
upa3-8446 |
4:13 |
22.2. |
1967 |
RCA's Studio B, Nashville |
Clambake FTD |
4-track stereo |
| Hey, Hey,
Hey |
Byers |
M-13 |
upa3-8446 |
2:29 |
22.2. |
1967 |
RCA's Studio B, Nashville |
Clambake - Double Features |
4-track stereo |
| Clambake |
Weisman/Wayne |
1 |
upa3-8443 |
3:26 |
22.2. |
1967 |
RCA's Studio B, Nashville |
Clambake FTD |
4-track stereo |
| Clambake |
Weisman/Wayne |
3B |
upa3-8443 |
2:42 |
22.2. |
1967 |
RCA's Studio B, Nashville |
Clambake FTD |
4-track stereo |
| Clambake |
Weisman/Wayne |
5 |
upa3-8443 |
3:26 |
22.2. |
1967 |
RCA's Studio B, Nashville |
Clambake FTD |
4-track stereo |
| Clambake |
Weisman/Wayne |
M-10 |
upa3-8443 |
2:35 |
22.2. |
1967 |
RCA's Studio B, Nashville |
Clambake - Double Features |
4-track stereo |
| Clambake
(Reprise) |
Weisman/Wayne |
1 |
wpa5-2554 |
2:48 |
23.2. |
1967 |
RCA's Studio B, Nashville |
Clambake FTD |
4-track stereo |
| Clambake
(Reprise) |
Weisman/Wayne |
2 |
wpa5-2554 |
2:48 |
23.2. |
1967 |
RCA's Studio B, Nashville |
Clambake FTD |
4-track stereo |
| Clambake
(Reprise) |
Weisman/Wayne |
3 |
wpa5-2554 |
2:48 |
23.2. |
1967 |
RCA's Studio B, Nashville |
Clambake FTD |
4-track stereo |
| Clambake
(Reprise) |
Weisman/Wayne |
4 |
wpa5-2554 |
0:21 |
23.2. |
1967 |
RCA's Studio B, Nashville |
Clambake - Double Features |
4-track stereo |
| Suppose |
Dee/Goehring |
NA |
upa4-2263 |
3:01 |
20.3. |
1967 |
RCA's Studio B, Nashville |
The Essential 60's Masters |
4-track stereo |
| There
Ain't Nothing Like A Song |
Byers/Johnston |
M-06 |
wpa1-1022 |
2:08 |
20.6. |
1967 |
MGM Studios, Hollywood |
Speedway - Double Features |
4-track stereo |
| Your Time
hasn't Come Yet Baby |
Hirschhorn/Kasha |
M-06 |
wpa1-1023 |
1:51 |
20.6. |
1967 |
MGM Studios, Hollywood |
Speedway - Double Features |
4-track stereo |
| Five
Sleepy Heads |
Tepper/Bennett |
M-03 |
wpa1-1024 |
1:29 |
20.6. |
1967 |
MGM Studios, Hollywood |
Speedway - Double Features |
4-track stereo |
| Who Are
You? |
Wayne/Weisman |
M-06 |
wpa1-1030 |
2:32 |
20.6. |
1967 |
MGM Studios, Hollywood |
Speedway - Double Features |
4-track stereo |
| Speedway |
Glazer/Schlaks |
M-04 |
wpa1-1026 |
2:21 |
20.6. |
1967 |
MGM Studios, Hollywood |
Speedway - Double Features |
4-track stereo |
| Suppose
(Long version) |
Dee/Goehring |
1 |
wpa1-1027 |
3:01 |
20.6. |
1967 |
MGM Studios, Hollywood |
Speedway - Double Features |
4-track stereo |
| Suppose
(Short version) |
Dee/Goehring |
M-07 |
wpa1-1028 |
2:02 |
20.6. |
1967 |
MGM Studios, Hollywood |
Speedway - Double Features |
4-track stereo |
| Let
Yourself Go |
Byers |
M-sp |
wpa1-1029 |
2:59 |
21.6. |
1967 |
MGM Studios, Hollywood |
Speedway - Double Features |
4-track stereo |
| He's Your
Uncle Not Your Dad |
Wayne/Weisman |
M-07 |
wpa1-1030 |
2:27 |
21.6. |
1967 |
MGM Studios, Hollywood |
Speedway - Double Features |
4-track stereo |
| Guitar
Man |
Reed |
5 |
upa4-2765 |
2:25 |
10.9. |
1967 |
RCA's Studio B, Nashville |
Platinum |
4-track stereo |
| Guitar
Man |
Reed |
9 |
upa4-2765 |
2:31 |
10.9. |
1967 |
RCA's Studio B, Nashville |
So High |
4-track stereo |
| Guitar
Man |
Reed |
10 |
upa4-2765 |
2:54 |
10.9. |
1967 |
RCA's Studio B, Nashville |
Long Lonely Highway |
4-track stereo |
| Guitar
Man |
Reed |
12 |
upa4-2765 |
2:57 |
10.9. |
1967 |
RCA's Studio B, Nashville |
The Essential 60's Masters |
4-track stereo |
| Guitar
Man |
Reed |
M-12 |
upa4-2765 |
2:18 |
10.9. |
1967 |
RCA's Studio B, Nashville |
The Essential 60's Masters |
4-track stereo |
| Big Boss
Man |
Smith/Dixon |
2 |
upa4-2765 |
3:36 |
10.9. |
1967 |
RCA's Studio B, Nashville |
The Essential 60's Masters |
4-track stereo |
| Big Boss
Man |
Smith/Dixon |
9 |
upa4-2766 |
2:53 |
10.9. |
1967 |
RCA's Studio B, Nashville |
Today, Tomorrow & Forever |
4-track stereo |
| Big Boss
Man |
Smith/Dixon |
M-11 |
upa4-2766 |
2:50 |
10.9. |
1967 |
RCA's Studio B, Nashville |
The Essential 60's Masters |
4-track stereo |
| Mine |
Tepper/Bennett |
4 |
upa4-2767 |
3:03 |
10.9. |
1967 |
RCA's Studio B, Nashville |
So High |
4-track stereo |
| Mine |
Tepper/Bennett |
8 |
upa4-2767 |
2:51 |
10.9. |
1967 |
RCA's Studio B, Nashville |
Close Up |
4-track stereo |
| Mine |
Tepper/Bennett |
9 |
upa4-2767 |
2:51 |
10.9. |
1967 |
RCA's Studio B, Nashville |
Close Up |
4-track stereo |
| Mine |
Tepper/Bennett |
M-21 |
upa4-2767 |
2:35 |
10.9. |
1967 |
RCA's Studio B, Nashville |
The Essential 60's Masters |
4-track stereo |
| Singing
Tree |
Owens/Solberg |
1 |
upa4-2768 |
3:04 |
10.9. |
1967 |
RCA's Studio B, Nashville |
So High |
4-track stereo |
| Singing
Tree |
Owens/Solberg |
4 |
upa4-2768 |
2:55 |
10.9. |
1967 |
RCA's Studio B, Nashville |
Close Up |
4-track stereo |
| Singing
Tree |
Owens/Solberg |
M-13 |
upa4-2768 |
2:58 |
10.9. |
1967 |
RCA's Studio B, Nashville |
Long Lonely Highway |
4-track stereo |
| Just Call
Me Lonesome |
Griffin |
M-01 |
upa4-2769 |
2:05 |
10.9. |
1967 |
RCA's Studio B, Nashville |
The Essential 60's Masters |
4-track stereo |
| Just Call
Me Lonesome |
Griffin |
3 |
upa4-2769 |
2:19 |
10.9. |
1967 |
RCA's Studio B, Nashville |
So High |
4-track stereo |
| Just Call
Me Lonesome |
Griffin |
4 |
upa4-2769 |
2:19 |
10.9. |
1967 |
RCA's Studio B, Nashville |
So High |
4-track stereo |
| Just Call
Me Lonesome |
Griffin |
6 |
upa4-2769 |
2:02 |
10.9. |
1967 |
RCA's Studio B, Nashville |
Great Country Songs |
4-track stereo |
| Hi-Heel
Sneakers |
Higginbotham |
5 |
upa4-2770 |
4:54 |
11.9. |
1967 |
RCA's Studio B, Nashville |
So High |
4-track stereo |
| Hi-Heel
Sneakers |
Higginbotham |
M-07-UNEDIT |
upa4-2770 |
4:46 |
11.9. |
1967 |
RCA's Studio B, Nashville |
The Essential 60's Masters |
4-track stereo |
| Hi-Heel
Sneakers |
Higginbotham |
M-07 |
upa4-2770 |
2:47 |
11.9. |
1967 |
RCA's Studio B, Nashville |
Elvis Aron Presley |
4-track stereo |
| You Don't
Know Me |
Walker/Arnold |
M-01 |
upa4-2771 |
2:27 |
11.9. |
1967 |
RCA's Studio B, Nashville |
The Essential 60's Masters |
4-track stereo |
| You Don't
Know Me |
Walker/Arnold |
2 |
upa4-2771 |
2:48 |
11.9. |
1967 |
RCA's Studio B, Nashville |
So High |
4-track stereo |
| We Call
On Him |
Karger/Weisman/Wayne |
2 |
upa4-2772 |
2:36 |
11.9. |
1967 |
RCA's Studio B, Nashville |
So High |
4-track stereo |
| We Call
On Him |
Karger/Weisman/Wayne |
4 |
upa4-2772 |
2:55 |
11.9. |
1967 |
RCA's Studio B, Nashville |
Easter Special |
4-track stereo |
| We Call
On Him |
Karger/Weisman/Wayne |
5 |
upa4-2772 |
2:55 |
11.9. |
1967 |
RCA's Studio B, Nashville |
Easter Special |
4-track stereo |
| We Call
On Him |
Karger/Weisman/Wayne |
8 |
upa4-2772 |
2:32 |
11.9. |
1967 |
RCA's Studio B, Nashville |
Today, Tomorrow & Forever |
4-track stereo |
| We Call
On Him |
Karger/Weisman/Wayne |
M-09 |
upa4-2772 |
2:31 |
11.9. |
1967 |
RCA's Studio B, Nashville |
Amazing Grace |
4-track stereo |
| You'll
Never Walk Alone |
Rodgers/Hammerstein |
1 |
upa4-2773 |
5:26 |
11.9. |
1967 |
RCA's Studio B, Nashville |
So High |
4-track stereo |
| You'll
Never Walk Alone |
Rodgers/Hammerstein |
2 |
upa4-2773 |
3:40 |
11.9. |
1967 |
RCA's Studio B, Nashville |
Platinum |
4-track stereo |
| You'll
Never Walk Alone |
Rodgers/Hammerstein |
M-SP-8-1 |
upa4-2773 |
2:43 |
11.9. |
1967 |
RCA's Studio B, Nashville |
Amazing Grace |
4-track stereo |
| Singing
Tree |
Owens/Solberg |
M-05 |
upa4-2774 |
2:17 |
11.9. |
1967 |
RCA's Studio B, Nashville |
The Essential 60's Masters |
4-track stereo |
| Stay Away,
Joe |
Weisman/Wayne |
17 |
u3km-2246 |
|
1.10. |
1967 |
RCA's Studio B, Nashville |
Almost In Love |
4-track stereo |
| Stay Away,
Joe |
Weisman/Wayne |
M-SP-2-INTRO |
u3km-2246 |
1:37 |
1.10. |
1967 |
RCA's Studio B, Nashville |
Stay Away, Joe - Double Features |
4-track stereo |
| All I
Needed was The Rain |
Wayne/Weisman |
M-03 |
u3km-2247 |
1:48 |
1.10. |
1967 |
RCA's Studio B, Nashville |
Stay Away, Joe - Double Features |
4-track stereo |
| Dominick |
Wayne/Weisman |
M-05 |
u3km-2248 |
1:42 |
1.10. |
1967 |
RCA's Studio B, Nashville |
Stay Away, Joe - Double Features |
4-track stereo |
