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| SONG TITLE | WRITERS | TAKE | MATRIX NO. | TIME | DATE | YEAR | STUDIO | ALBUM | RECORDING METHOD |
| I Got A Woman | Charles | 1:19 | 15.2. MS | 1970 | The International Hotel, Las Vegas | Polk Salad Annie FTD | 16-track stereo | ||
| Long Tall Sally | Penniman/Blackwell | 2:13 | 15.2. MS | 1970 | The International Hotel, Las Vegas | Polk Salad Annie FTD | 16-track stereo | ||
| Don't Cry Daddy | Davis | 3:29 | 15.2. MS | 1970 | The International Hotel, Las Vegas | Polk Salad Annie FTD | 16-track stereo | ||
| Hound Dog | Leiber/Stoller | 2:38 | 15.2. MS | 1970 | The International Hotel, Las Vegas | Polk Salad Annie FTD | 16-track stereo | ||
| Love Me Tender | Presley/Matson | 2:46 | 15.2. MS | 1970 | The International Hotel, Las Vegas | Polk Salad Annie FTD | 16-track stereo | ||
| Kentucky Rain | Rabbitt/Heard | 4:34 | 15.2. MS | 1970 | The International Hotel, Las Vegas | Polk Salad Annie FTD | 16-track stereo | ||
| Let It Be Me | Curtis/Delanoe/Becaud | 3:27 | 15.2. MS | 1970 | The International Hotel, Las Vegas | Polk Salad Annie FTD | 16-track stereo | ||
| I Can't Stop Loving You | Gibson | 2:18 | 15.2. MS | 1970 | The International Hotel, Las Vegas | Polk Salad Annie FTD | 16-track stereo | ||
| Walk A Mile In My Shoes | South | 2:52 | 15.2. MS | 1970 | The International Hotel, Las Vegas | Polk Salad Annie FTD | 16-track stereo | ||
| In The Ghetto | Davis | 2:58 | 15.2. MS | 1970 | The International Hotel, Las Vegas | Polk Salad Annie FTD | 16-track stereo | ||
| Sweet Caroline | Diamond | 2:44 | 15.2. MS | 1970 | The International Hotel, Las Vegas | Polk Salad Annie FTD | 16-track stereo | ||
| Polk Salad Annie | White | 5:36 | 15.2. MS | 1970 | The International Hotel, Las Vegas | Polk Salad Annie FTD | 16-track stereo | ||
| Introductions | Presley | 2:20 | 15.2. MS | 1970 | The International Hotel, Las Vegas | Polk Salad Annie FTD | 16-track stereo | ||
| Suspicious Minds | James | 5:06 | 15.2. MS | 1970 | The International Hotel, Las Vegas | Polk Salad Annie FTD | 16-track stereo | ||
| Can't Help Falling In Love | Peretti/Creatore/Weiss | 1:54 | 15.2. MS | 1970 | The International Hotel, Las Vegas | Polk Salad Annie FTD | 16-track stereo | ||
| Proud Mary | Fogerty | M | zpa5-1289 | 2:46 | 16.2. DS | 1970 | The International Hotel, Las Vegas | On Stage (remastered version) | 16-track stereo |
| Don't Cry Daddy | Davis | 2:48 | 16.2. DS | 1970 | The International Hotel, Las Vegas | Writing For The King - FTD | 16-track stereo | ||
| Polk Salad Annie | White | 5:05 | 16.2. DS | 1970 | The International Hotel, Las Vegas | Writing For The King - FTD | 16-track stereo | ||
| Sweet Caroline | Diamond | M | zpa5-1293 | 2:51 | 16.2. DS | 1970 | The International Hotel, Las Vegas | On Stage (remastered version) | 16-track stereo |
| Kentucky Rain | Rabbitt/Heard | kpa5-9568 | 3:20 | 16.2. DS | 1970 | The International Hotel, Las Vegas | Elvis Aron Presley | 16-track stereo | |
| Walk A Mile On My Shoes | South | 2:50 | 16.2. DS | 1970 | The International Hotel, Las Vegas | Writing For The King - FTD | 16-track stereo | ||
| In The Ghetto | Davis | M | zpa5-1287 | 2:45 | 16.2. DS | 1970 | The International Hotel, Las Vegas | On Stage (remastered version) | 16-track stereo |
| Suspicious Minds | James | zpa5-1288 | 5:04 | 16.2. DS | 1970 | The International Hotel, Las Vegas | On Stage (remastered version) | 16-track stereo | |
| Kentucky Rain | Rabbitt/Heard | 3:50 | 17.2. DS | 1970 | The International Hotel, Las Vegas | Writing For The King - FTD | 16-track stereo | ||
| See See Rider | Presley | 3:15 | 17.2. MS | 1970 | The International Hotel, Las Vegas | Polk Salad Annie FTD | 16-track stereo | ||
| Polk Salad Annie | White | hra1-8671 | 4:30 | 17.2. MS | 1970 | The International Hotel, Las Vegas | Today, Tomorrow & Forever | 16-track stereo | |
| Kentucky Rain | Rabbitt/Heard | M | zpa5-1295 | 3:53 | 17.2. MS | 1970 | The International Hotel, Las Vegas | On Stage (remastered version) | 16-track stereo |
| Walk A Mile On My Shoes | South | hra1-8672 | 2:49 | 17.2. MS | 1970 | The International Hotel, Las Vegas | Today, Tomorrow & Forever | 16-track stereo | |
| Don't Cry Daddy | Davis | M | zpa5-1292 | 2:59 | 17.2. MS | 1970 | The International Hotel, Las Vegas | On Stage (remastered version) | 16-track stereo |
| Let It Be Me | Curtis/Delanoe/Becaud | M | zpa5-1291 | 3:23 | 17.2. MS | 1970 | The International Hotel, Las Vegas | On Stage (remastered version) | 16-track stereo |
| The Wonder Of You | Knight | 4-REH | wpa5-2595 | 2:36 | 18.2. | 1970 | The International Hotel, Las Vegas | Platinum | 16-track stereo |
| Release Me | Miller/Yount/Williams | 1-REH | wpa5-2598 | 1:47 | 18.2. | 1970 | The International Hotel, Las Vegas | Platinum | 16-track stereo |
| See See Rider | Traditional | 1-REH | wpa5-1297 | 2:48 | 18.2. | 1970 | The International Hotel, Las Vegas | Platinum | 16-track stereo |
| The Wonder Of You | Knight | 2:35 | 18.2. DS | 1970 | The International Hotel, Las Vegas | Elvis 30 #1 Hits | 16-track stereo | ||
| Don't Cry Daddy | Davis | lpa5-5902 | 2:35 | 18.2. DS | 1970 | The International Hotel, Las Vegas | Greatest Hits Vol.1 | 16-track stereo | |
| The Wonder Of You | Knight | M | zpa5-1300 | 2:51 | 18.2. MS | 1970 | The International Hotel, Las Vegas | On Stage (remastered version) | 16-track stereo |
| Release Me | Miller/Yount/Williams | M | zpa5-1294 | 3:09 | 18.2. MS | 1970 | The International Hotel, Las Vegas | On Stage (remastered version) | 16-track stereo |
| See See Rider | Traditional | M | zpa5-1290 | 2:33 | 18.2. MS | 1970 | The International Hotel, Las Vegas | On Stage (remastered version) | 16-track stereo |
| Polk Salad Annie | White | M | zpa5-1298 | 5:26 | 18.2. MS | 1970 | The International Hotel, Las Vegas | On Stage (remastered version) | 16-track stereo |
| Long Tall Sally | Blackwell/Johnson/Penniman | M | zpa5-1296 | 1:26 | 18.2. MS | 1970 | The International Hotel, Las Vegas | On Stage (remastered version) | 16-track stereo |
| See See Rider | Presley | hra1-8670 | 2:38 | 19.2. DS | 1970 | The International Hotel, Las Vegas | Today, Tomorrow & Forever | 16-track stereo | |
| Proud Mary | Fogerty | 2:49 | 19.2. DS | 1970 | The International Hotel, Las Vegas | Polk Salad Annie FTD | 16-track stereo | ||
| Release Me | Miller/Yount/Williams | 3:30 | 19.2. DS | 1970 | The International Hotel, Las Vegas | Polk Salad Annie FTD | 16-track stereo | ||
| I Can't Stop Loving You | Gibson | M | zpa5-1299 | 2:21 | 19.2. MS | 1970 | The International Hotel, Las Vegas | On Stage (remastered version) | 16-track stereo |
| Walk A Mile On My Shoes | South | M | zpa5-1297 | 2:49 | 19.2. MS | 1970 | The International Hotel, Las Vegas | On Stage (remastered version) | 16-track stereo |
| Mystery Train/Tiger Man | Parker/Phillips-Louis/Burns | 2:50 | 4.6. | 1970 | RCA's Studio B, Nashville | The Nashville Marathon | 16-track stereo | ||
| Twenty Days And Twenty Nights | Weisman/Westlake | RE | zpa4-1593 | 4:33 | 4.6. | 1970 | RCA's Studio B, Nashville | That's The Way It Is - FTD | 16-track stereo |
| Twenty Days And Twenty Nights | Weisman/Westlake | 1 | zpa4-1593 | 4:33 | 4.6. | 1970 | RCA's Studio B, Nashville | That's The Way It Is - FTD | 16-track stereo |
| Twenty Days And Twenty Nights | Weisman/Westlake | 2 | zpa4-1593 | 4:33 | 4.6. | 1970 | RCA's Studio B, Nashville | That's The Way It Is - FTD | 16-track stereo |
| Twenty Days And Twenty Nights | Weisman/Westlake | 3 | zpa4-1593 | 3:24 | 4.6. | 1970 | RCA's Studio B, Nashville | The Nashville Marathon | 16-track stereo |
| Twenty Days And Twenty Nights | Weisman/Westlake | 5 | zpa4-1593 | 2:18 | 4.6. | 1970 | RCA's Studio B, Nashville | That's The Way It Is - FTD | 16-track stereo |
| Twenty Days And Twenty Nights | Weisman/Westlake | 6 | zpa4-1593 | 2:18 | 4.6. | 1970 | RCA's Studio B, Nashville | That's The Way It Is - FTD | 16-track stereo |
| Twenty Days And Twenty Nights | Weisman/Westlake | 8 | zpa4-1593 | 3:17 | 4.6. | 1970 | RCA's Studio B, Nashville | That's The Way It Is - FTD | 16-track stereo |
| Twenty Days And Twenty Nights | Weisman/Westlake | 9-ROUGH MIX | zpa4-1593 | 3:35 | 4.6. | 1970 | RCA's Studio B, Nashville | That's The Way It Is - FTD | 16-track stereo |
| Twenty Days And Twenty Nights | Weisman/Westlake | M-09 | zpa4-1593 | 3:15 | 4.6. | 1970 | RCA's Studio B, Nashville | Walk A Mile In My Shoes | 16-track stereo |
| I've Lost You | Howard/Blaikley | RE | zpa4-1594 | 5:25 | 4.6. | 1970 | RCA's Studio B, Nashville | That's The Way It Is - FTD | 16-track stereo |
| I've Lost You | Howard/Blaikley | 1 | zpa4-1594 | 4:39 | 4.6. | 1970 | RCA's Studio B, Nashville | The Nashville Marathon | 16-track stereo |
| I've Lost You | Howard/Blaikley | 4 | zpa4-1594 | 5:22 | 4.6. | 1970 | RCA's Studio B, Nashville | That's The Way It Is - FTD | 16-track stereo |
| I've Lost You | Howard/Blaikley | 5 | zpa4-1594 | 5:22 | 4.6. | 1970 | RCA's Studio B, Nashville | That's The Way It Is - FTD | 16-track stereo |
| I've Lost You | Howard/Blaikley | 6 | zpa4-1594 | 4:24 | 4.6. | 1970 | RCA's Studio B, Nashville | A Hundred Years From Now | 16-track stereo |
| I've Lost You | Howard/Blaikley | M-07 | zpa4-1594 | 3:30 | 4.6. | 1970 | RCA's Studio B, Nashville | Walk A Mile In My Shoes | 16-track stereo |
| I Was Born About Ten Thousand Years Ago | Ad. Presley | M-01 | zpa4-1595 | 3:13 | 4.6. | 1970 | RCA's Studio B, Nashville | Country (remastered version) | 16-track stereo |
| I Was Born About Ten Thousand Years Ago | Ad. Presley | M-01 | zpa4-1595 | 3:28 | 4.6. | 1970 | RCA's Studio B, Nashville | Walk A Mile In My Shoes | 16-track stereo |
| The Sound Of Your Cry | Giant/Baum/Kaye | 3 | zpa4-1596 | 5:13 | 4.6. | 1970 | RCA's Studio B, Nashville | The Nashville Marathon | 16-track stereo |
| The Sound Of Your Cry | Giant/Baum/Kaye | 6 | zpa4-1596 | 3:30 | 4.6. | 1970 | RCA's Studio B, Nashville | Platinum | 16-track stereo |
| The Sound Of Your Cry | Giant/Baum/Kaye | M-11-UNEDIT | zpa4-1596 | 4:00 | 4.6. | 1970 | RCA's Studio B, Nashville | Greatest Hits Vol.1 | 16-track stereo |
| The Sound Of Your Cry | Giant/Baum/Kaye | M-11 | zpa4-1596 | 3:17 | 4.6. | 1970 | RCA's Studio B, Nashville | Walk A Mile In My Shoes | 16-track stereo |
| The Fool | Ford | 1 | zpa4-1597 | 2:30 | 4.6. | 1970 | RCA's Studio B, Nashville | A Hundred Years From Now | 16-track stereo |
| The Fool | Ford | M-02 | zpa4-1597 | 2:24 | 4.6. | 1970 | RCA's Studio B, Nashville | Walk A Mile In My Shoes | 16-track stereo |
| A Hundred Years From Now | Flatt/Scruggs | 1 | wpa5-2569 | 3:49 | 4.6. | 1970 | RCA's Studio B, Nashville | The Nashville Marathon | 16-track stereo |
| A Hundred Years From Now | Flatt/Scruggs | 2 | wpa5-2569 | 3:49 | 4.6. | 1970 | RCA's Studio B, Nashville | The Nashville Marathon | 16-track stereo |
| A Hundred Years From Now | Flatt/Scruggs | 2 | wpa5-2569 | 1:34 | 4.6. | 1970 | RCA's Studio B, Nashville | A Hundred Years From Now | 16-track stereo |
| A Hundred Years From Now | Flatt/Scruggs | M-SP-1-2 | wpa5-2569 | 1:40 | 4.6. | 1970 | RCA's Studio B, Nashville | Walk A Mile In My Shoes | 16-track stereo |
| Little Cabin On The Hill | Monroe/Flatt | 1 | zpa4-1598 | 2:04 | 4.6. | 1970 | RCA's Studio B, Nashville | A Hundred Years From Now | 16-track stereo |
| Little Cabin On The Hill | Monroe/Flatt | M-02 | zpa4-1598 | 1:47 | 4.6. | 1970 | RCA's Studio B, Nashville | Walk A Mile In My Shoes | 16-track stereo |
| Cindy, Cindy | Kaye/Weisman/Fuller | 1 | zpa4-1599 | 3:45 | 4.6. | 1970 | RCA's Studio B, Nashville | A Hundred Years From Now | 16-track stereo |
| Cindy, Cindy | Kaye/Weisman/Fuller | M-03 | zpa4-1599 | 2:31 | 4.6. | 1970 | RCA's Studio B, Nashville | Walk A Mile In My Shoes | 16-track stereo |
| Faded Love | Wills/Wills | 1 | wpa5-2584 | 0:36 | 4.6. | 1970 | RCA's Studio B, Nashville | A Hundred Years From Now | 16-track stereo |
| Bridge Over Troubled Water | Simon | REH | zpa4-1600 | 5:40 | 5.6. | 1970 | RCA's Studio B, Nashville | That's The Way It Is - FTD | 16-track stereo |
| Bridge Over Troubled Water | Simon | 1 | zpa4-1600 | 4:58 | 5.6. | 1970 | RCA's Studio B, Nashville | The Nashville Marathon | 16-track stereo |
| Bridge Over Troubled Water | Simon | 2 | zpa4-1600 | 5:40 | 5.6. | 1970 | RCA's Studio B, Nashville | That's The Way It Is - FTD | 16-track stereo |
| Bridge Over Troubled Water | Simon | 5 | zpa4-1600 | 4:33 | 5.6. | 1970 | RCA's Studio B, Nashville | A Hundred Years From Now | 16-track stereo |
| Bridge Over Troubled Water | Simon | M-08 | zpa4-1600 | 4:29 | 5.6. | 1970 | RCA's Studio B, Nashville | Walk A Mile In My Shoes | 16-track stereo |
| Bridge Over Troubled Water | Simon | M-8-INTRO | zpa4-1600 | 4:29 | 5.6. | 1970 | RCA's Studio B, Nashville | That's The Way It is | 16-track stereo |
| Got My Mojo Working/Keep Your Hands Off Of It | Foster | M-01 | zpa4-1601 | 4:34 | 5.6. | 1970 | RCA's Studio B, Nashville | Walk A Mile In My Shoes | 16-track stereo |
| Got My Mojo Working/Keep Your Hands Off Of It | Foster | M-1-UNDUB | zpa4-1601 | 5:21 | 5.6. | 1970 | RCA's Studio B, Nashville | Walk A Mile In My Shoes | 16-track stereo |
| How The Web Was Woven | Westlake/Most | REH | zpa4-1602 | 4:55 | 5.6. | 1970 | RCA's Studio B, Nashville | That's The Way It Is - FTD | 16-track stereo |
| How The Web Was Woven | Westlake/Most | 1 | zpa4-1602 | 3:51 | 5.6. | 1970 | RCA's Studio B, Nashville | The Nashville Marathon | 16-track stereo |
| How The Web Was Woven | Westlake/Most | M-03 | zpa4-1602 | 3:25 | 5.6. | 1970 | RCA's Studio B, Nashville | Walk A Mile In My Shoes | 16-track stereo |
| It's You Baby, You Rock It | Milete/Fowler | 3 | zpa4-1603 | 3:13 | 5.6. | 1970 | RCA's Studio B, Nashville | The Nashville Marathon | 16-track stereo |
| It's You Baby, You Rock It | Milete/Fowler | M-05 | zpa4-1603 | 2:59 | 5.6. | 1970 | RCA's Studio B, Nashville | Walk A Mile In My Shoes | 16-track stereo |
| Stranger In The Crowd | Scott | REH | zpa4-1604 | 4:52 | 5.6. | 1970 | RCA's Studio B, Nashville | That's The Way It Is - FTD | 16-track stereo |
| Stranger In The Crowd | Scott | 1 | zpa4-1604 | 4:52 | 5.6. | 1970 | RCA's Studio B, Nashville | That's The Way It Is - FTD | 16-track stereo |
| Stranger In The Crowd | Scott | 3 | zpa4-1604 | 4:52 | 5.6. | 1970 | RCA's Studio B, Nashville | That's The Way It Is - FTD | 16-track stereo |
| Stranger In The Crowd | Scott | 4 | zpa4-1604 | 4:52 | 5.6. | 1970 | RCA's Studio B, Nashville | That's The Way It Is - FTD | 16-track stereo |
| Stranger In The Crowd | Scott | 5 | zpa4-1604 | 4:52 | 5.6. | 1970 | RCA's Studio B, Nashville | That's The Way It Is - FTD | 16-track stereo |
| Stranger In The Crowd | Scott | 9-ROUGH MIX | zpa4-1604 | 4:33 | 5.6. | 1970 | RCA's Studio B, Nashville | That's The Way It Is - FTD | 16-track stereo |
| Stranger In The Crowd | Scott | M-09 | zpa4-1604 | 3:47 | 5.6. | 1970 | RCA's Studio B, Nashville | Walk A Mile In My Shoes | 16-track stereo |
| I'll Never Know | Karger/Wayne/Weisman | 1 | zpa4-1605 | 2:16 | 5.6. | 1970 | RCA's Studio B, Nashville | The Nashville Marathon | 16-track stereo |
| I'll Never Know | Karger/Wayne/Weisman | M-07 | zpa4-1605 | 2:21 | 5.6. | 1970 | RCA's Studio B, Nashville | Love Letters From Elvis | 16-track stereo |
| Mary In The Morning | Cymbal/Rashkow | 1 | zpa4-1606 | 7:45 | 5.6. | 1970 | RCA's Studio B, Nashville | That's The Way It Is - FTD | 16-track stereo |
| Mary In The Morning | Cymbal/Rashkow | 2 | zpa4-1606 | 7:45 | 5.6. | 1970 | RCA's Studio B, Nashville | That's The Way It Is - FTD | 16-track stereo |
| Mary In The Morning | Cymbal/Rashkow | 3 | zpa4-1606 | 7:45 | 5.6. | 1970 | RCA's Studio B, Nashville | That's The Way It Is - FTD | 16-track stereo |
| Mary In The Morning | Cymbal/Rashkow | 4 | zpa4-1606 | 4:42 | 5.6. | 1970 | RCA's Studio B, Nashville | The Nashville Marathon | 16-track stereo |
| Mary In The Morning | Cymbal/Rashkow | M-05 | zpa4-1606 | 4:11 | 5.6. | 1970 | RCA's Studio B, Nashville | Walk A Mile In My Shoes | 16-track stereo |
| I Didn't Make It On Playing Guitar | Presley | M-01 | wpa5-2583 | 3:40 | 6.6. | 1970 | RCA's Studio B, Nashville | A Hundred Years From Now | 16-track stereo |
| It Ain't No Big Thing (But It's Growing) | Merritt/Joy/Hall | 2 | zpa4-1607 | 3:02 | 6.6. | 1970 | RCA's Studio B, Nashville | A Hundred Years From Now | 16-track stereo |
| It Ain't No Big Thing (But It's Growing) | Merritt/Joy/Hall | 6 | zpa4-1607 | 2:47 | 6.6. | 1970 | RCA's Studio B, Nashville | The Nashville Marathon | 16-track stereo |
| It Ain't No Big Thing (But It's Growing) | Merritt/Joy/Hall | M-09 | zpa4-1607 | 2:46 | 6.6. | 1970 | RCA's Studio B, Nashville | Country (remastered version) | 16-track stereo |
| You Don't Have To Say You Love Me | Wickham/Napier | REH | zpa4-1608 | 2:44 | 6.6. | 1970 | RCA's Studio B, Nashville | That's The Way It Is - FTD | 16-track stereo |
| You Don't Have To Say You Love Me | Wickham/Napier | 1 | zpa4-1608 | 3:12 | 6.6. | 1970 | RCA's Studio B, Nashville | That's The Way It Is - FTD | 16-track stereo |
| You Don't Have To Say You Love Me | Wickham/Napier | 2 | zpa4-1608 | 2:29 | 6.6. | 1970 | RCA's Studio B, Nashville | A Hundred Years From Now | 16-track stereo |
| You Don't Have To Say You Love Me | Wickham/Napier | M-03 | zpa4-1608 | 2:30 | 6.6. | 1970 | RCA's Studio B, Nashville | Walk A Mile In My Shoes | 16-track stereo |
| Just Pretend | Flett/Fletcher | 1 | zpa4-1609 | 4:46 | 6.6. | 1970 | RCA's Studio B, Nashville | That's The Way It Is - FTD | 16-track stereo |
| Just Pretend | Flett/Fletcher | 2 | zpa4-1609 | 4:08 | 6.6. | 1970 | RCA's Studio B, Nashville | A Hundred Years From Now | 16-track stereo |
| Just Pretend | Flett/Fletcher | M-03 | zpa4-1609 | 4:02 | 6.6. | 1970 | RCA's Studio B, Nashville | Walk A Mile In My Shoes | 16-track stereo |
| This Is Our Dance | Reed/Stephens | M-11 | zpa4-1610 | 3:12 | 6.6. | 1970 | RCA's Studio B, Nashville | Love Letters From Elvis | 16-track stereo |
| Life | Milete | 2 | zpa4-1613 | 3:15 | 6.6. | 1970 | RCA's Studio B, Nashville | Today, Tomorrow & Forever | 16-track stereo |
| Life | Milete | 10 | zpa4-1613 | 2:58 | 6.6. | 1970 | RCA's Studio B, Nashville | The Nashville Marathon | 16-track stereo |
| Life | Milete | M-20-SINGLE | zpa4-1613 | 3:09 | 6.6. | 1970 | RCA's Studio B, Nashville | Rare Elvis Volume 3 | 16-track stereo |
| Life | Milete | M-20 | zpa4-1613 | 3:10 | 6.6. | 1970 | RCA's Studio B, Nashville | Love Letters From Elvis | 16-track stereo |
| Heart Of Rome | Stephens/Blaikley/Howard | 1 | zpa4-1614 | 4:42 | 6.6. | 1970 | RCA's Studio B, Nashville | The Nashville Marathon | 16-track stereo |
| Heart Of Rome | Stephens/Blaikley/Howard | M-SP-3-WP | zpa4-1614 | 2:53 | 6.6. | 1970 | RCA's Studio B, Nashville | Walk A Mile In My Shoes | 16-track stereo |
| When I'm Over You | Milete | M-01 | zpa4-1615 | 2:22 | 7.6. | 1970 | RCA's Studio B, Nashville | Walk A Mile In My Shoes | 16-track stereo |
| I Really Don't Want To Know | Barnes/Robertson | M-04 | zpa4-1616 | 2:54 | 7.6. | 1970 | RCA's Studio B, Nashville | Walk A Mile In My Shoes | 16-track stereo |
| Faded Love | Wills/Wills | M-01 | zpa4-1617 | 3:19 | 7.6. | 1970 | RCA's Studio B, Nashville | Country (remastered version) | 16-track stereo |
| Faded Love | Wills/Wills | M-01-UNEDIT | zpa4-1617 | 4:06 | 7.6. | 1970 | RCA's Studio B, Nashville | Walk A Mile In My Shoes | 16-track stereo |
| Tomorrow Never Comes | Tubb/Bond | 2 | zpa4-1618 | 4:09 | 7.6. | 1970 | RCA's Studio B, Nashville | The Nashville Marathon | 16-track stereo |
| Tomorrow Never Comes | Tubb/Bond | M-SP | zpa4-1618 | 4:07 | 7.6. | 1970 | RCA's Studio B, Nashville | Country (remastered version) | 16-track stereo |
| Tomorrow Never Comes | Tubb/Bond | M-SP | zpa4-1618 | 4:04 | 7.6. | 1970 | RCA's Studio B, Nashville | Walk A Mile In My Shoes | 16-track stereo |
| The Next Step Is Love | Evans/Parnes | REH | zpa4-1619 | 5:11 | 7.6. | 1970 | RCA's Studio B, Nashville | That's The Way It Is - FTD | 16-track stereo |
| The Next Step Is Love | Evans/Parnes | 2 | zpa4-1619 | 5:11 | 7.6. | 1970 | RCA's Studio B, Nashville | That's The Way It Is - FTD | 16-track stereo |
| The Next Step Is Love | Evans/Parnes | 3 | zpa4-1619 | 5:11 | 7.6. | 1970 | RCA's Studio B, Nashville | That's The Way It Is - FTD | 16-track stereo |
| The Next Step Is Love | Evans/Parnes | 6 | zpa4-1619 | 3:39 | 7.6. | 1970 | RCA's Studio B, Nashville | Today, Tomorrow & Forever | 16-track stereo |
| The Next Step Is Love | Evans/Parnes | 7 | zpa4-1619 | 6:06 | 7.6. | 1970 | RCA's Studio B, Nashville | That's The Way It Is - FTD | 16-track stereo |
| The Next Step Is Love | Evans/Parnes | 8 | zpa4-1619 | 6:06 | 7.6. | 1970 | RCA's Studio B, Nashville | That's The Way It Is - FTD | 16-track stereo |
| The Next Step Is Love | Evans/Parnes | 9 | zpa4-1619 | 6:06 | 7.6. | 1970 | RCA's Studio B, Nashville | That's The Way It Is - FTD | 16-track stereo |
| The Next Step Is Love | Evans/Parnes | 10 | zpa4-1619 | 3:44 | 7.6. | 1970 | RCA's Studio B, Nashville | The Nashville Marathon | 16-track stereo |
| The Next Step Is Love | Evans/Parnes | M-11 | zpa4-1619 | 3:31 | 7.6. | 1970 | RCA's Studio B, Nashville | Walk A Mile In My Shoes | 16-track stereo |
| Make The World Go Away | Cochran | 3 | zpa4-1620 | 3:34 | 7.6. | 1970 | RCA's Studio B, Nashville | Welcome To My World | 16-track stereo |
| Make The World Go Away | Cochran | M-SP | zpa4-1620 | 3:35 | 7.6. | 1970 | RCA's Studio B, Nashville | Walk A Mile In My Shoes | 16-track stereo |
| Funny How Time Slips Away | Nelson | M-01 | zpa4-1621 | 4:19 | 7.6. | 1970 | RCA's Studio B, Nashville | Walk A Mile In My Shoes | 16-track stereo |
| I Washed My Hands In Muddy Water | Babcock | M-01 | zpa4-1622 | 3:57 | 7.6. | 1970 | RCA's Studio B, Nashville | Country (remastered version) | 16-track stereo |
| I Washed My Hands In Muddy Water | Babcock | M-01-UNEDIT | zpa4-1622 | 4:57 | 7.6. | 1970 | RCA's Studio B, Nashville | Walk A Mile In My Shoes | 16-track stereo |
| I Washed My Hands In Muddy Water | Babcock | M-01-UNDUB | zpa4-1622 | 4:57 | 7.6. | 1970 | RCA's Studio B, Nashville | A Hundred Years From Now | 16-track stereo |
| Love Letters | Heyman/Young | 1 | zpa4-1623 | 2:03 | 7.6. | 1970 | RCA's Studio B, Nashville | The Nashville Marathon | 16-track stereo |
| Love Letters | Heyman/Young | M-05 | zpa4-1623 | 2:48 | 7.6. | 1970 | RCA's Studio B, Nashville | Love Letters From Elvis | 16-track stereo |
| There Goes My Everything | Frazier | 1 | zpa4-1624 | 2:45 | 8.6. | 1970 | RCA's Studio B, Nashville | Great Country Songs | 16-track stereo |
| There Goes My Everything | Frazier | M-03 | zpa4-1624 | 2:58 | 8.6. | 1970 | RCA's Studio B, Nashville | Walk A Mile In My Shoes | 16-track stereo |
| If I Were You | Nelson | 5 | zpa4-1625 | 3:23 | 8.6. | 1970 | RCA's Studio B, Nashville | A Hundred Years From Now | 16-track stereo |
| If I Were You | Nelson | M-09 | zpa4-1625 | 2:56 | 8.6. | 1970 | RCA's Studio B, Nashville | Country (remastered version) | 16-track stereo |
| Only Believe | Rader | M-04 | zpa4-1626 | 2:47 | 8.6. | 1970 | RCA's Studio B, Nashville | Amazing Grace | 16-track stereo |
| Sylvia | Stephens/Reed | M-08 | zpa4-1627 | 3:16 | 8.6. | 1970 | RCA's Studio B, Nashville | Now | 16-track stereo |
| Sylvia | Stephens/Reed | 9 | zpa4-1627 | 3:18 | 8.6. | 1970 | RCA's Studio B, Nashville | The Nashville Marathon | 16-track stereo |
| Patch It Up | Rabbitt/Burke | 1 | zpa4-1628 | 2:43 | 8.6. | 1970 | RCA's Studio B, Nashville | That's The Way It Is - FTD | 16-track stereo |
| Patch It Up | Rabbitt/Burke | 2 | zpa4-1628 | 5:17 | 8.6. | 1970 | RCA's Studio B, Nashville | That's The Way It Is - FTD | 16-track stereo |
| Patch It Up | Rabbitt/Burke | 3 | zpa4-1628 | 5:17 | 8.6. | 1970 | RCA's Studio B, Nashville | That's The Way It Is - FTD | 16-track stereo |
| Patch It Up | Rabbitt/Burke | 4 | zpa4-1628 | 5:17 | 8.6. | 1970 | RCA's Studio B, Nashville | That's The Way It Is - FTD | 16-track stereo |
| Patch It Up | Rabbitt/Burke | 5 | zpa4-1628 | 5:17 | 8.6. | 1970 | RCA's Studio B, Nashville | That's The Way It Is - FTD | 16-track stereo |
| Patch It Up | Rabbitt/Burke | 6 | zpa4-1628 | 5:17 | 8.6. | 1970 | RCA's Studio B, Nashville | That's The Way It Is - FTD | 16-track stereo |
| Patch It Up | Rabbitt/Burke | 7 | zpa4-1628 | 5:17 | 8.6. | 1970 | RCA's Studio B, Nashville | That's The Way It Is - FTD | 16-track stereo |
| Patch It Up | Rabbitt/Burke | M-08 | zpa4-1628 | 3:08 | 8.6. | 1970 | RCA's Studio B, Nashville | Walk A Mile In My Shoes | 16-track stereo |
| Patch It Up | Rabbitt/Burke | 9 | zpa4-1628 | 3:20 | 8.6. | 1970 |